Asian Antiques from Laos: Opium Pipes, Tribal Silver Jewellery, Bronze Temple Bells & Opium Weights

March 5th, 2014

On our most recent trip to Laos in search of antiques and artifacts for the gallery it soon became apparent how few genuine antique pieces were available compared to previous visits. However with a determined effort we managed to find some special items from the 19th and early 20th century which we are highlighting here. Also included are a few photos from the wonderful Wat Si Saket and Haw Pha Kaew Museum, King Setthathirat’s former royal temple. Just click on the images below to be taken to the relevant page for each category.

These are the two finest antique opium pipes that we have had in the gallery to date. Genuine antique opium pipes are exceedingly rare now, having become a highly sort after international collectible. These two pipes were used by the Hmong hill tribe people and are of Chinese origin, being much more refined than most hill tribe opium pipes.

Antique Opium Pipes from Laos
Antique Opium Pipes from Laos

Below is a small collection of antique hill tribe silver jewellery, much of it from the Lao Hmong, and includes soul lock pendants, bracelets, and torques.  These are wearable pieces from the late 19th – early 20th century with a silver content of about 92%. They have been given a light clean but can be brought to a high shine if desired. The Hmong are famous in Southeast Asia for their penchant for silver and the skills of their silversmiths.

Antique Tribal Silver Bracelets from Laos
Antique Tribal Silver Bracelets from Laos
Antique Tribal Silver Torques from the Hmong
Antique Tribal Silver Torques from the Hmong
Antique Soul Lock Pendants from the Hmong
Antique Soul Lock Pendants from the Hmong

This collection of antique bronze bells is from Vientiane where they once hung from the eves of temple buildings before being replaced by newly donated bells. They have developed a lovely aged patina and possess distinct ring tones, which at the temple are heard as a reminder of the Buddha’s deep wisdom and endless compassion.

Antique Bronze Temple Bells from Laos
Antique Bronze Temple Bells from Laos

We returned from Laos with just these two charming opium weights. They are from Phongsali in the northern mountains and were used by the Hmong to weigh out opium in the 19th century. While Siamese and Laotian opium weights are said to be less accurate than Burmese weights, these two are beautifully cast. The deer is a particularly rare form.

Opium Weights from Laos

We hope that you enjoy these rare Laotian artifacts from a bygone era. Please let us know if there are any pieces that are of particular interest. We’re happy to answer any questions you may have about these pieces. We will also soon be listing a few exceptional examples of silk weaving from a studio in Vientiane along with a few antique tribal textiles.

Haw Pha Kaew Museum, Laos
Haw Pha Kaew Museum, Laos
Wat Si Saket, Laos
Wat Si Saket, Laos
Haw Pha Kaew, Laos
Haw Pha Kaew, Laos

Antique Bronze Bells from Burma, Thailand, Laos and Cambodia

May 27th, 2009

Antique bronze bells have become one of the most popular items offered in our gallery. Most of our bells are from Burma, but some are from Laos, Thailand, Cambodia and India. The bells of old are generally far more beautiful than bells crafted today. They were cast in bronze and bear a range of attractive designs and often interesting inscriptions. In Burma the tradition of blacksmithing has always been an honoured occupation associated with courage, strength and integrity.

Temple bells donated to the Sangha (order of monks) are held in high esteem. They are sounded three times at the conclusion of personal devotions as an invitation to all sentient beings to share the merit accumulated by their spiritual practices. Onlookers may respond with the congratulatory refrain- thadu, thadu, thadu– well done, well done, well done. The casting of large bells is a major event which takes place with an air of great ceremony and rejoicing. Sweetness of tone is very important for the temple bell. Unlike bronze Buddha images, the bronze was normally composed of 83% copper and 17% tin. In some cases, lead or even silver was added. The smaller temple bells with clappers are often found suspended on the eves of pavilions around temples and are said to attract the attention of the deva of the Tavatimsa Heaven. The gentle tinkling ring serves as a reminder of the Buddha’s endless compassion and deep wisdom. Small temple bells are also used to signal various activities to monks and nuns including the time to rise, meditate, chant, eat and rest.

 Our pastoral bells worn by cattle or buffalo are called hka-lauk in Burmese. They are normally trapezoidal or semi-circular in shape with closed rings at the top so that the bell can be suspended around the animal’s neck with a cord.The clapper is held in place with wire entering through two small holes made in the upper surface of the bell. They are often decorated with very handsome scrolling or geometric designs on the surface. When travelling, the animals would follow the sound of the bell worn by the lead animal. The sound would also warn travellers of their presence on narrow mountain passes. The bells are also said to scare off predatory animals as well as help farmers locate their animals after being set free to graze.

The spherical elephant bells known in Burma as chu are similarly decorated and would help the mahout locate his elephant after being set free to forage in the jungle. Though popularly referred to as elephant bells, we are told by our Burmese friends that these bells were also worn by other animals including ponies and oxen.

Bronze bells often have interesting inscriptions including the seal or name of the maker, information about historical towns and their economic situation, customs of the people and the orthography of the period in which the bell was cast. For example, bells may bear the names of kings, queens or members of the aristocracy as well as high ranking military officers. The value of a bell depends on age, quality of bronze and patina, decoration and condition. Each bell has its own individual physical characteristics, ring tone, and story to tell.